Consecration of the Jalaleddin Mevlana Rumi Ambo at the Peace Cathedral

by Malkhaz Songulashvili

On 24 May 2026, the Peace Cathedral in Tbilisi witnessed a remarkable and deeply symbolic  event: the consecration of the Jalaleddin Mevlana Rumi Ambo, a stone liturgical pulpit  dedicated to the memory of the thirteenth-century Muslim mystic, poet, and teacher of love  and unity, Jalaleddin Mevlana Rumi. 

For nearly 160 years, the Peace Cathedral has embodied a distinctive Protestant-Baptist Orthodox expression of Christianity across the Caucasus and beyond. Throughout its history,  often marked by marginalisation and hostility, the Cathedral has responded not with  bitterness but with a theology of beauty. Wherever political, cultural, social, or religious  ugliness has appeared, it has sought to answer with acts of creativity, reconciliation, and  hope. 

This commitment is visible throughout the Cathedral complex. Beneath its roof are a Peace  Mosque, a Peace Synagogue, a Buddhist Peace Shrine, and an Oratory of Reconciliation— spaces welcoming people of all faiths and none. Together they reflect both Georgia’s historic  traditions of hospitality and the Cathedral’s vocation as a house of peace. 

Over many years, the Cathedral has cultivated friendships with faith communities across the  Middle East. Among its closest partners is the Mevlevi Sufi Order, represented by the  Venerable Sheikha Nur and spiritual descendants of Hazrat Mevlana Rumi. Rumi (1207– 1273), whose life was centred in Konya in present-day Türkiye, remains one of the most  beloved spiritual figures in history. His writings, especially the Masnavi and the Diwan-e  Shams, speak of divine love, human unity, and the transformative power of compassion. His  teachings gave rise to the Mevlevi Order, often known in the West as the Whirling Dervishes. The inspiration for the new ambo emerged during a visit by a Peace Cathedral delegation to  Istanbul in December 2018. Encountering an early Christian stone ambo in the shadow of  Hagia Sophia inspired the Cathedral’s architect, the Rev’d Giorgi Songulashvili, to design a  liturgical pulpit that would honour Rumi’s legacy while serving as a permanent symbol of  interreligious friendship. Although completed during the Covid-19 pandemic, its consecration  was intentionally delayed until representatives of the Mevlevi tradition could be present.

The service brought together representatives of Jewish, Christian, Muslim, Yazidi, and non affiliated communities in a visible expression of mutual respect and solidarity. Opening the  ceremony, the Cathedral Leader welcomed the assembled guests and reflected on the purpose  of the new ambo: 

“May the words spoken here bind the wounds of our world, enlarge compassion and draw  strangers into neighbourliness. Let the voice that rises from this place be like a lamp, seeking  only to give light.” 

The congregation responded repeatedly with prayers for peace and healing, affirming  together: “We choose healing.” 

A central Peace Candle was lit and shared among representatives of the participating  traditions. As the flame passed from one candle to another, the congregation proclaimed: 

“May this light kindle peace.” 

Sacred readings followed from each represented tradition. A reading from the Hebrew  prophet Micah called worshippers to “do justice, love kindness and walk humbly with God.”  A passage from the Gospel of John proclaimed Christ’s gift of peace. A reading from the  Qur’an emphasised the dignity of all peoples and the divine purpose of human diversity.  Representatives of the Yazidi community shared a traditional text celebrating concord and  unity.

The culmination of the readings came from the Mevlevi tradition itself. A passage from  Rumi’s Dîvân-ı Kebîr was proclaimed, in Original Persian (Yashar Ajami) and Georegian  (Lasha Mdzevluri), calling humanity to recognise its essential unity: 

“We, all the human beings, are in reality all one essence. Our minds are one, and our heads  are one.”

The ceremony then moved to a rite of blessing involving water, the laying on of hands, and  prayer. Representatives of each community approached the ambo, placed a hand upon it, and  offered prayers according to their traditions. Jewish, Christian, Muslim, Yazidi, and secular  representatives invoked healing, wisdom, justice, peace, and reconciliation for all who would  speak from the newly consecrated pulpit, which will serve as a principal voice of the Peace  Cathedral. 

Together the assembly prayed: 

“May this place be cleansed and set apart for truth, care, justice, reconciliation, peace and  freedom.” 

A sermon (khutba) was then delivered from the newly consecrated ambo by Fatime Bahar  Can, a spiritual successor of Mevlana Rumi. Her words marked the first proclamation from  the Rumi Ambo and formed the central act of its dedication. She was accompanied by 

distinguished members of the Mevlevi tradition, including Sufi dervishes Selçuk Cemoğlu  and Tülin Özgür, long-standing friends of the Cathedral. The sermon was translated by  Bishop Ilia Osepashvili. 

The service continued with the celebration of the Christian Eucharist, affirming the  Cathedral’s identity as a Christian house of worship while demonstrating that Christian faith  need not fear friendship, hospitality, or dialogue. Greetings were also offered by Dr Anna Maria Schneider of the Embassy of Germany in Georgia.

The concluding section featured brief benedictions from leaders representing the Sufi, Shia  Muslim, Sunni Muslim, Yazidi, Jewish, and Christian communities. Their presence together  around the newly dedicated ambo testified to relationships cultivated over many decades and  to a shared commitment to peace in a fractured world.

Following the final blessing, the congregation departed to instrumental music and a time of  fellowship and refreshments. 

The consecration of the Jalaleddin Mevlana Rumi Ambo stands as a singular event in  contemporary religious life. It is rare for a Christian cathedral to dedicate one of its principal  liturgical furnishings in honour of a Muslim mystic. Yet the gesture was not intended to  dilute religious identity, but rather to affirm that authentic faith can recognise and celebrate  wisdom, beauty, and holiness wherever they are found. 

In an age often marked by conflict, suspicion, and division, the Rumi Ambo offers a different  vision. It stands as a permanent invitation to speak words that heal rather than wound, to  build bridges rather than walls, and to remember, with Rumi, that beneath our many  languages, traditions, and histories, humanity shares a common dignity and a common  longing for peace.

As a symbol of interreligious friendship and reconciliation, the Rumi Ambo now takes its  place within the life of the Peace Cathedral—a stone witness to the possibility of unity amid  diversity, and a lamp whose purpose is simply to give light.

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